Tuesday, April 19, 2011

Remembering GURU (7.17.61 - 4.19.10)


Today marks one year since the passing of GURU and there are still so many unanswered questions surrounding his death.

The rapping half of the legendary Gang Starr lost his fight with cancer while his then-musical partner Solar juiced the event for all it was worth, issuing press releases and generally just trumping up publicity for himself at the expense of a comatose and then finally dead GURU.

While GURU is resting in peace, Solar -- the self proclaimed "super producer" who ironically hasn't produced a single musical contribution in the year since GURU passed -- is no doubt still up to no good, probably firmly latched onto his next unsuspecting victim, bilking up a storm.

The curious association between Solar and GURU raised eyebrows, with GURU's family and previous Solar victims sharing their stories of Solar's shadiness.

But this post is not about Solar. It's about GURU's legacy that is still thriving to this day; his undeniable classics Hiphop contributions that are still relevant and cherished by his truest and newest fans alike.

GURU's family is taking part in a tribute this Thursday in his honor at the popular New York City nightspot Le Poisson Rouge, with all donations and net proceeds going to GURU's son, K.C. Elam.

GURU's life will also be honored next month in his hometown of Boston during the 5th Annual UNITY Festival.

I always felt that during his life GURU was completely unappreciated by his peers, rarely being invited to be featured on somebody's track. Instead, GURU created his own lane with the timeless hits from his first three Jazzmatazz offerings as well as his Gang Starr efforts with DJ Premier.

While GURU was featured on albums from some of the underground's favorites, the who's who of rappers never invited GURU to collaborate. It was always GURU who had to extend the invitation to other rappers to be included on his own projects.

By my estimation, the reason for this was either his fellow rappers were afraid to be shown up by GURU on their own albums or people were just hating. Probably a combination of the two, considering the industry-wide negativity directed at Solar during the last couple of years of GURU's life.

Here are some classic visuals to remind you of GURU's "mass appeal," which, contrary to popular belief, was due to a lot more than "mostly tha voice."













No comments: